I’ve been a regular day-player as a 705 costumer on countless projects. Recently, they include This Is Us, Love, Victor, and Marvelous Mrs. Maisel.
Recent commercials include: “Rock” Facebook Superbowl commercial, Cupcake Vineyards, Footlocker, and Huawei.
FILM EXPERIENCE
| PROJECT | ROLE | PRODUCTION | DESIGNER | |
| The Craft: Legacy (Film) | Key Costumer (LA) | Blumhouse | Avery Plewes | 2020 |
| A League Of Their Own (Pilot) | Costumer | Amazon | Nancy Steiner | 2020 |
| Why Women Kill (TV Show) | Costumer | CBS | Janie Bryant | 2019 |
| Strange Angel (TV show) | Costumer | Fox | JR Hawbacker | 2018 |
| American Crime Story: Versace (TV show) | Costumer | Fox | Lou Eyrich | 2017 |
| Drop The Mic (TV show) | Costumer | ABC | Brooke Llewellyn | 2017 |
| Untitled Reba McEntire/ Marc Cherry (Pilot) | Costumer | ABC | Kimberly Adams | 2017 |
| Flock Of Four (feature) | Costumer | Indie | Tiffany White Stanton | 2016 |
| I Do… Until I Don’t (feature) | Costumer | Indie | Elizabeth Warn | 2016 |
| Andi Mack (Pilot) | Costumer | Disney | Anthony Tran | 2016 |
| Adult Swim Golf Classic (TV Special) | Costumer | Adult Swim | Adam Sabodish | 2015 |
| Highston (Pilot) | Costumer | Amazon | Elizabeth Warn | 2015 |
| 31 (Feature) | Costumer | Venus Lux | Carrie Grace | 2015 |
| Legion of Extraordinary Dancers (LXD) (Season 3 – Webseries) | Costumer | Paramount Digital | Allison Leach | 2011 |
NOTABLE PA EXPERIENCE
| PROJECT | ROLE | PRODUCTION | DESIGNER | |
| The Man In The High Castle (Pilot) | Costume PA | Amazon | Audrey Fisher | 2014 |
| Mad Men Season Season 7 (12 episodes) | Costume PA | AMC | Janie Bryant | 2013-4 |
| Transformers 4 | Costume PA | Paramount Pictures | Marie-Sylvie Deveau | 2013 |
RELATED SKILLS AND EXPERIENCE
Specialize in period clothes, especially 1920-1980; in-depth knowledge of L.A. area costume houses.
Wardrobe management, including Sync On Set.
Very comfortable with fabric shopping and with dyeing (including shibori & surface design), aging & distressing; taught more than 50 undergraduates aging, distressing, and fabric identification.
Spent years working in custom made/ costume shops with jobs including stitching, basic draping, basic tailoring, and crafts (millinery, airbrushing, shoe modification, artistic and scenic painting).
Ms. Apatoff has been hired for her research skills by productions at every major Seattle theatre, including The Seattle Opera, ACT, The Seattle Repertory Theatre, Intiman, and The Seattle Children’s Theatre.
EDUCATION
- M.F.A. in Costume Design from the University of Washington
- B.A. degree in English Literature from Reed College